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・ Facing Future
・ Facing Goliath
・ Facing Goya
・ Facing heaven pepper
・ Facing History and Ourselves
・ Facing Identification Mark
・ Facing Mirrors
・ Facing Mount Kenya
・ Facing New York
・ Facing New York (album)
・ Facing North
・ Facing Our Risk of Cancer Empowered
・ Facing Reality
・ Facing Sudan
・ Facing the Animal
Facing the Crowd
・ Facing the Crowd (album)
・ Facing the Enemy
・ Facing the Flag
・ Facing the Future
・ Facing the Future School
・ Facing the Giants
・ Facing the Moon
・ Facing the Music
・ Facing the Music (1933 film)
・ Facing the Music (1941 film)
・ Facing the Music (2001 film)
・ Facing the Thousand
・ Facing the Truth
・ Facing the Truth (film)


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Facing the Crowd : ウィキペディア英語版
Facing the Crowd

''Facing the Crowd'' is a series of two outdoor sculptures by American artist Michael Stutz, located outside of Providence Park in Portland, Oregon, in the United States. Composed of silicon bronze, the sculptures depict faces of a laughing man and a smiling boy. They were funded by the City of Portland's Percent for Art program and were installed in 2001, during a major remodel of the outdoor sports venue then known as PGE Park.
==Description==

The sculptures, which depict the faces of a man and a boy, are located at 18th and 20th Avenues at Morrison Street in downtown Portland. Designed by Michael Stutz, they were installed in 2001 during the nearly $40 million remodel of PGE Park, the outdoor sports venue now known as Providence Park. Funding was provided by the City of Portland's Percent for Art program. The faces are made of welded silicon bronze and are each approximately tall. Similar in appearance, the one at KeyBank Plaza on 18th Avenue depicts a smiling boy, while the one at the intersection of 20th and Morrison depicts a laughing man.〔
Stutz said of ''Facing the Crowd'': "The heartily smiling man and boy faces portray two stages in the life of an individual, relating to the historical evolution and changing character of the site itself."〔 He has also said that the work's "dynamic presence becomes a celebration of joy and playfulness. () hope is that these giant totems engage the spectator with their simple and universal theme of maintaining humor in the midst of chaotic urban world."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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